Women (female artists)

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

An artistic reflection on the political and social structures that shape the emotional state of loneliness and its perception in contemporary society.

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

A cinephilic, emotional and memorial journey: page after page of cinema tickets—exhumed from the past, preserved until now and published here for tomorrow—retrace fragments of artist Marie-Douce St-Jacques' cinephilic itinerary, and tell the story of a discreet struggle against oblivion and indifference.

A sound performance inspired by Merce Cunningham, in which a group of speakers seek to escape from society, to retreat by mimicking the objects that surround us in the forest.

A drawn collection of lighters that the artist borrowed while lighting a cigarette.

A series of photographs of traces of glue on city walls, testifying to what has been posted/hung there (artist's book).

A 20-year retrospective of Cindy Wright's paintings, blending photo-realism with detailed, painterly techniques.

A book of poetic texts by the performance artist, choreographer, musician and writer.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe.

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

First monograph.

The first monograph of the artist Christa Joo Hyun D'Angelo, Fatal Attraction covers over a decade of work spanning collage, video, installation, and sculpture.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

Drawing from Lisa Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

Bridget Mullen's "Birthday" series of intimate-sized paintings expressing emotions through abstracted figures and features, with a conversation between the artist and Lucas Blalock.

Australian composer and clarinetist Aviva Endean has developed an impressive capacity for creating work that merges intense control (of breath, of instrument, of composition) and a willingness to allow the music to lead. On Moths & Stars, her second solo work, she charts out a sound world that is equal parts timbre and tone, placing sounds relationship to space as a paramount focus for her pieces.

Sam Dunscombe's second album, Two Forests / Oceanic, uses field recordings and rational tuning practice to reimagine the music used for psychedelic-assisted psychotherapy sessions.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

Reference monograph.

Reference monograph.

Reference monograph (also available in English edition).

Reference monograph (also available in English edition).

Louise Bourgeois' flowers series, painted in gouache on paper.

Aurel Schmidt's drawings.

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

Written and visual documentation of the German stylist-designer duo's projects from 2010 to 2022.

An indepth survey to June Crespo's artistic practice.

A publication compiled, edited and designed by Danish graphic artist Anni's, based on research into the uses of the grid.

Photographer and writer Carla Cerati (1926-2016) captures the architectural, social and political upheavals of 1960-70s Milan.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

The first monographic overview publication of the work of Iranian artist Farkhondeh Shahroudi.

Black Truffle label's first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti: four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world.

This publication presents research conducted by choreographer Mor Demer over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Against the backdrop of her artistic process, Mor Demer unfolds a reflection on the production and configuration of choreographic materials, as well as on the body and the practices and fictions of which it is composed.

This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

23 photographs of chicanes taken between 2013 and 2016 on the roads leading to the Notre-Dame-des-Landes ZAD, France (with an interview with philosopher Marie José Mondzain).

Four artist's posters.

A project by artist Fatma Bucak that considers the relationships between political violence, environmental destruction, and climate change.

First monograph of the Spanish artist Eva Fàbregas.

The first-ever comprehensive overview of Maude Léonard-Contant's universe.

A dialogue between Camille Henrot's images and Estelle Hoy's texts, a visual and verbal exploration of melancholy, failure, injustice, and hope.

A series of astonishing photographs by the Italian architect and designer, discovering China at the end of the Cultural Revolution, between millenary traditions, openness to the world and forced modernization.

A visual attempt to index photographic images.