Literature

Unpublished text, signed original work, unique for each copy

Collection of texts.

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.

Set in Kyoto and Hong Kong at the very end of the 20th century, this film pays homage to The Pillow book written at the very end of the 10th century by court lady Sei Shōnagon.

Set in Kyoto and Hong Kong at the very end of the 20th century, this film pays homage to The Pillow book written at the very end of the 10th century by court lady Sei Shōnagon.

The journal of one of the first women artists of the history of painting.

In a time of plague when the community of the cathedral city of Mâcon is struck with infertility, a beautiful, healthy child is born. He is immediately seen as an opportunity for profit, both by his own sister and by the Church. The newborn brings prosperity and is considered to be a saint. Until greed and ambition lead to his tragic demise.

A commission examines a sample of 92 persons subject to an enigmatic obsession with birdwatching and flying: a fictional investigation playing with the codes of documentary journalism which served as a script for Greenaway's film The Falls.

A commission examines a sample of 92 persons subject to an enigmatic obsession with birdwatching and flying: a fictional investigation playing with the codes of documentary journalism which served as a script for Greenaway's film The Falls.

The libretto to the opera Rosa, with music by the Dutch composer Louis Andriessen.

The libretto to the opera Rosa, with music by the Dutch composer Louis Andriessen.

Five unpublished short stories, original signed silkscreen print.

The diverse range of practices that center on the voice.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

Drowning by Numbers tells the story of three women from different age groups named Cissie Colpitts who each have murdered their husbands by drowning them. The narrative structure of the film underlies a numerical order based on the number 100. A fascinating riddle on man's relationship with death and time.

This monograph points up the many facets of Greenaway's work—pictorial, literary, musical and philosophical—all of which are inherent to his films.

Brochure/catalogue (24 pages) of an exhibition that took place in 1987, simultaneously in Milan (Mercato del Sale gallery) and Paris (Donguy gallery), presenting the pictorial version of metaphysical poems.

The first edition of Julien Blaine's "metaphysical poems".

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The inaugural edition features 18 artists, and showcases over 80 original artworks and literary texts.

The most accomplished tale of Jean Lorrain (1855-1906), decadent dandy, ardent erotomaniac and corrosive pen, accompanied by a new piece by Nurse With Wound.

Special issue of the poetry journal directed by Jean-François Bory, dedicated to performance in the broad sense, from the page to the stage.

The first volume in bie bao series dedicated to militant investigations on Russian poet, designer, typographer, theoretician, and publisher Iliazd (Ilya Zdanevich, 1894-1975), who developed a new philosophy and methodology from zaum (trans-sense) experiments.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

In Un homme sensible, Octave Mirbeau tells the story of a murderer who, in the name of world harmony, is determined to rid the world of "all organisms unfit for a strong and harmonious life". This inspired Nurse With Wound, which, as an illustration, gives us here a new piece of unpublished music.

A tribute to William S. Burroughs.

The fifth and last issue of the erotic journal.

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

The figure(s) of Cindy Sherman as the plot of a personal narrative by Jean-François Bory.

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

A collection of thoughts, fragments and poems set in a prose text, between the newspaper, written from day to day, the essay and the autobiography.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs. The CD is accompanied by a book of texts and images by Dalachinsky.

A text by Antonin Artaud illustrated with a 15-minute unreleased sound piece by Nurse With Wound entitled To Another Awareness.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

Originally resealed in 1975, Poesia Sonora is one of the first international compilation of sound poetry. Edited by Maurizio Nannucci, the anthology gathers pieces by some of the most important pioneers of the Sound Poetry movement: Bob Cobbing, François Dufrêne, Henri Chopin, Ernst Jandl, Franz Mon, Arthur Petronio, Arrigo Lora-Totino, Brion Gysin, Bernard Heidsieck, Sten Hanson, and Paul De Vree.

Collection of recent essays and poems in which the American poet and critic examines issues of genealogy and influence, the poverty and privilege of place, architecture's relationship to language, and feminist economies of writing, reading, and art making.

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

The first English translation of Viktor Shklovsky's children book Journey to the Land of Movies, originally published in 1926 in Russian.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

A special issue dedicated to John Giorno, in the framework of Ugo Rondinone's exhibition “I Love John Giorno” in New York.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

In his “Book” George Brecht describes the specific nature of each single page, in a gesture that renders the printed matter a tautological object.